Laytonic: Marty's Mix
DJ Laytonic is back on the HIP HOP scene with a new mix inspired by his cousin 'Marty'. Early this morning Layton released his new mix via Soundcloud and then shared a heartfelt message about it on Instagram...
My new mix was inspired by my older cousin Marty who turned me onto hip-hop music at the tender age of 7. I remember him showing me songs from LL Cool J and The Beastie Boys whenever my family went to visit. It made a profound impact on me. I later heard more amazing music from Public Enemy, De La Soul, A Tribe Called Quest and Run DMC from watching MTV after school and on weekends back when MTV only played music videos. Although not all of those artists are featured in this mix, I wanted to convey the same feeling I got back then when Marty first introduced me to the music. This was the late 80's early 90's when rap was considered a threat to the suburbs. Most of white America wasn't ready for this new music filled with foul language, outspoken political views, sex speak and the occasional gun violence. Thankfully, my parents allowed me to listen to this music in the house growing up regardless of some of the lyrical content. As an aspiring musician, I never really paid much attention to lyrics anyway. My ears were drawn to the music and the production is what moved me the most. Even to this day I have a hard time listening to lyrics if I don't feel the music first. Hip-hop and rap music was my first true love and I haven't stopped listening since. Thank you Marty for the positive influence. I'll never forget it. " @laytonic
Check out the mix below and please comment!
Urban Exploring: Open Crates + Sweet Chick (Special Edition)
THE SYNOPSIS
In this Lost Episode of Urban Exploring, Guru and Ike share clips about the success and growth of Open Crates in the earlier part of 2014. The duo also spent a day in Williamsburg Brooklyn at CMJ to catch up with drummer Layton Weedeman of Courtesy Tier as he performed with his friends Isle Of Rhodes. Lastly, they grabbed grub from Sweet Chick, a soulful Chicken and Waffle restaurant also located in Williamsburg Brooklyn.
THE DISCOVERIES
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OPEN CRATES
Open Crates curates music, breaks records and builds culture for progressive vinyl heads. We vibe on all genres of heavy percussive music.
Check them out monthly in Jersey City for Open Dig, click the flyer for more details.
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SWEET CHICK
Sweet Chick's philosophy is simple: Great Food, a Cool Vibe, and interesting Cocktails at a great price.
Along with some of the best fried chicken and waffles in New York City, we're serving what we like to call American cuisine with a Southern accent: Rustic but Modern American comfort food and twists on classic dishes and cocktails, plus home-baked desserts that will make you feel like a kid again. The dining room, on the bustling corner of North 8th and Bedford Ave, is as cozy and inviting (and locally-sourced) as our food. Check them out on Yelp
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CMJ
CMJ connects music fans and music industry professionals with the best in new music through interactive media and live events. CMJ also produces a legendary Music Marathon, the largest and longest-running music industry event of its kind, in addition to live events across the US. LEARN MORE[/one_half]
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ISLE OF RHODES
Isle of Rhodes is the moniker for Rob Farren's hard hitting indie rock project. Known for interweaving dynamic stylings and virtuosic abilities, while fashioning rock with an ensemble flair, Isle of Rhodes, draws upon on blues, funk, and classical elements, with influences ranging from Gershwin, Beethoven, Radiohead, The Beatles, Arcade Fire, to Roy Orbison. LEARN MORE[/one_half_last]
LAYTON WEEDEMAN
Layton Weedeman is a drummer and DJ from Moorestown, NJ who graduated with a Bachelor’s Degree in Professional Music from the Berklee College of Music in 2004. He moved to Brooklyn, New York soon after with his alt-rock-indie band Courtesy Tier. As a drummer, he’s been featured on records by local artists Jessi Robertson, Isle of Rhodes and Man Made West. With Courtesy Tier, Layton has toured the US, played showcases for CMJ in New York City as well as SXSW in Austin, TX and has been named one of the top artists in New York’s indie rock scene by the Deli Magazine three years in a row. As a DJ, he goes by the alias DJ Laytonic and exclusively spins vinyl records highlighting hip-hop instrumentals from the 90’s. His mixes include music by A Tribe Called Quest, DJ Premier, J Dilla, Buckwild and Pete Rock. For more on Layton Click Here
THE MUSIC
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PAT VAN DYKE - Frequency
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PAT VAN DYKE - Swindle
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DJ CENTER -
Dem Say Ah
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HäZEL - Badoowap
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LAYTONIC - Until You Were Gone
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BIG JACK - Live @ OC
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Following the DJ: Madlib & Freddie Gibbs
THE RESEARCH
[one_third]There’s a great story told by the legendary Nile Rodgers, American musician & producer, known for producing hits for artists like Duran Duran, Diana Ross, David Bowie and Madonna, as well as being a founding member of disco/funk band Chic - where he talks about handing a copy of Chic’s very first single to a DJ who was spinning at Studio 54 in NYC. The DJ liked it so much after one listen that he immediately played it for the people on the dance floor and that’s essentially how Chic started their success. Watch
PHOTO PROPS: WHO SHOT YA?
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[one_third]This post is dedicated to the DJ, the music curator to the masses, the original source. Back in the day, if you wanted your song to get heard, you had to give a copy to your local DJ and hope they’d play it, or you could pay a lot of money to the radio station and guarantee rotation (this still goes on today.) When looking for new music I tend to stick to record labels, online blogs and other trusted sources that I like. Freddie Gibbs & Madlib’s album, Piñata, I found through LA-based record label Stones Throw and online news blog Rappcats.com, a website dedicated to promoting three of my favorite artists: J Dilla, Madlib and MF Doom.
PHOTO PROPS: RAPPCATS.COM[/one_third]
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Madlib has described himself as a DJ first, producer second and MC last. If you’re wondering how this record relates to following a DJ, Madlib is the DJ and he is the reason why I got hip to this music in the first place. Read more about Madlib here
PHOTO PROPS: ELECTRONIC BEATS MAG
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THE DISCOVERY
The Freddie Gibbs and Madlib collab started in late 2011 with the release of their debut EP Thuggin’. Rappcats.com along with Madlib’s own record label, Madlib Invazion via Stones Throw, teamed up for the release of all three EP’s as well as the group’s full-length LP, Piñata, which was released earlier this year - an artist release schedule spanning the course of three years.
As a record collector, following a record release like this is one of the most rewarding experiences for a music fan. Back in 2011 when I first purchased the Thuggin’ EP, I knew it was going to be an immediate classic in the eyes of music aficionados and hip-hop heads.
I kept my eyes and ears open for more info and news about what would come next from the group. As each year passed and a new EP was released, clocking in at just over 15 minutes front to back, I experienced a sense of anticipation and appreciation for the music.
November 18, 2011 – Los Angeles based DJ & producer, Madlib, along with Gary, Indiana based rapper, Freddie Gibbs, announce their first collaborative EP entitled Thuggin’, live at the Madlib Medicine Show in San Francisco. All five hundred vinyl copies of the EP were sold out that evening.
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November 21, 2011 – Thuggin’
This album sparked a sense of awe and appreciation from the hip-hop community. There is something really profound about Freddie Gibbs’s dark delivery over Madlib’s excellent use of soul sampling and worldly genres. Like a lot of Madlib’s music from recent years, the choice of drums and percussion used to create back beat is something cinematic and crate digger worthy. The content presented here is reminiscent of early west coast gangster rap.
September 24, 2013 – Deeper
Deeper was the last of the EP’s and would eventually become the lead single for the group’s full-length album. Lyrically there had not been a song reflecting the realities of incarceration and outside drama since Nas’s 1994 release, “One Love.”
PHOTO PROPS: PETER BESTE
PHOTO PROPS: WHO SHOT YA?
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June 26, 2012 – Shame
Seven months after the release of Thuggin’ came the Shame EP. This only proved the duo’s chemistry to be stronger and left myself and critics wanting more. Jon Hadusek of Consequence of Sound graded the EP with a “C-“ stating: "To call Shame an EP is misleading, it's only two tracks – 'Shame' and 'Terrorist' – with instrumental and acapella versions, as well as some tacked on 'bonus beats.’ These songs are strong, however, and make the prospect of a proper debut album from Gibbs that much more exciting. If he wants a legacy, he needs to release a full-length."
March 18, 2014 – Piñata LP
(originally titled Cocaine Piñata)
The long awaited debut full-length album, Piñata, that music fans and hip-hop heads had been eagerly anticipating for over three years was finally released. All the hype and expectation had been full-filled. After immediate release, large music blogs like Pitchfork and Spin were already nominating it to be Rap Album of the Year. I had already made my prediction back in December of 2013 when I tweeted this and got a response from Now Again Records founder and former Stones Throw label manager, Eothen “Egon” Alapatt. Check it!
May 28, 2014 – Piñata Beats
(Freddie Gibbs Instrumentals)
The latest release, Piñata Beats, is the full-length instrumental version of the album. Essential to most DJ’s is the instrumental version of the song. This version is crucial to your mix. Whether you’re a DJ making live remixes or a radio disc jockey playing an instrumental version of a hit song in the background, the instrumentals are key elements to any serious DJ’s style.
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CONCLUSION
PHOTO PROPS: NOISEY
Together the duo’s chemistry is undeniable. Lyrically Freddie Gibbs could be compared to greats like Tupac Shakur and The Notorious B.I.G. based on their ability to tell stories from an array of perspectives. From cutting up dope, hustling, and expressing the realities of street life to expressing pain, heartbreak and close friend fall-outs, the stories embedded in each track and how well they flow with the beats makes Piñata an instant classic. This album shone a light on what is missing in hip-hop music today.
Following The DJ - Tuamie "The Gift Vol. 4"
THE RESEARCH
[one_third]Discovering new music in today’s world is practically effortless. Depending on your preference, there are multiple music outlets online, allowing you to listen to and purchase music digitally via iTunes, Pandora, Amazon or Spotify. If you haven’t already familiarized yourself with these companies, then you probably still listen to music in a traditional format like radio, TV, or maybe you are overwhelmed with the amount of options to choose from and gave up.[/one_third]
[one_third]If you’re a hip-hop fan like me, you can easily discover new music by turning on the radio and tuning in to one of the first clear signals that comes through. Hot 97 in NY, Power 99 in Philly, Power 106 in LA, Hot 107.9 in Atlanta; most major cities have a primary radio station dedicated to hip-hop.[/one_third]
[one_third_last]You can also hop online and visit music blogs like EgoTripLand, Pitchfork, MassAppeal, Consequence Of Sound, SampleFace, or PotholesInMyBlog to get your daily dose of what’s fresh. The ease of finding music to listen to has become greater now that most people in the world own smartphones and these big companies like iTunes have an app to preview and download music straight to your device. In today’s world, this is considered the norm. I tend to follow these blogs myself for what’s new, but earlier this year I focused on a different source; The DJ"[/one_third_last]
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American Hip-Hop Producer and DJ, Michael “House Shoes” Buchanan, has been an essential person in the continually rising growth of the Motown scene in Detroit and has been given the title by peers: “Hip-Hop’s Ambassador to the World”. Four-time winner of “Best Hip-Hop DJ” and a long time resident at hip-hop staple, St. Andrews Hall, from 1994-2004, House Shoes has also been credited as one of the first people to shop some of J Dilla’s early beats when he went under the “Jay Dee” moniker back in 1994. He continues to carry the Dilla torch today.
Like many J Dilla fans, I started researching more and more about his music and wanted to find other producers and DJ’s affiliated with him. If you watch any of the documentaries or read anything that has surfaced since Dilla’s passing, you’ll quickly start to see the name “House Shoes” circulating. There is an entire series of videos online produced by another Detroit native, Jeedo and his “Bling47” label, that interview some of Dilla’s peers and dissects some of his most famous work.[/one_half]
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There are about six videos from House Shoes where he talks about how and why Dilla sampled the records he did and you can listen to first-hand accounts of stories he shares and can start to understand the relationship they had. From here I started following House Shoes and his music. I quickly got hip to more amazing music from underground artists as well as more unheard Dilla material.
Over a year ago back in March of 2013, House Shoes started an inaugural free download release via his SoundCloud account of compilation “beat tapes” from young, undiscovered artists he felt deserved more recognition from the masses. House Shoes states: “…a series where I will be spotlighting producers and artists you may not be aware of. Each volume will be curated from prior bandcamp/soundcloud releases as an introduction to cats who have released prior material that I feel hasn’t reached its potential audience like it should.”
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THE DISCOVERY
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[one_half_last]Fast forward later that year to November, The Gift Vol. 4 featured Atlanta beat maker and mystery man, Tuamie. Just as House Shoes quoted in the release in regards to the music, “I was floored” – I too share the same enthusiasm.
Tuamie’s beats are reminiscent of J Dilla and Madlib. The sounds are very chill, intriguing and raw. Laced with hard-hitting drums with a lot of attack, obscure samples, hints of jazz and old-school R&B grooves they have a unique quality that holds its own.
The Gift Vol. 4 is a mix of different beats pulled from different self-releases on Tuamie’s Bandcamp page as well as some highlights from his debut release on GrandGarden Records, “Masta Killa”. The compilation is sprinkled with musical treats for any hip-hop lover.
Catchy vocal samples on tracks like “Reoccurring Feeling of Loneliness” & “The More Weed Smoke I Puff” will have you humming along to each note. The jazzy hooks on “No Limitations”, “Plant”, and “High Eyes” will keep your melodic taste buds satisfied while sample heads and hip-hop aficionados can find joy in recognizing flips on tracks like “Feed Em Gunpowder” and “Eva-re-moanin”. All in all, this album stays true to hip-hop form and it is noted, stating that all beats were made using only records and an MPC.
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"The Gift Vol. 4" is now available on limited edition vinyl. Buy your copy from FatBeats.com
WORDS by LAYTONIC // CREATIVE by IQUAN
PHOTOBOOTH: Sunday's Beats for Brunch 2
Yesterday we hosted our 2nd 'Beats for Brunch' event for the year in the lower east-side of New York City at Pianos, and this go around Laytonic featured Newark based DJ and fellow Artoholik 'Ream Supreme' to lead off the event making this his first NYC DJ appearance. Laytonic took over the 1's and 2's and laced a mean set of 90's hip hop instrumentals staying true to his style while providing a dope sound for the crowd to vibe out to. Then NYC based DJ 'Leecy T' closed out the DJ session with a blend that had the crowd dancing and bopping their heads featuring some 90's music as well as some fresh hip-hop and R&B rhythms. Just like our first B4B event back in February, we invited a live band to end the night. This time, Laytonic hand picked Brooklyn based hip-hop group 'ILLEGALIZE' to give our crowd some live and unique sounds.
Overall this event was just as successful as our first. Our mission was to get new people out to discover a different vibe, while enjoying food, music and each other. By the looks of the photo below, our mission was accomplished! Enjoy!
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Urban Exploring: Episode 3 - Sunday's Beats for Brunch
In our third episode of Urban Exploring, IquanW hops in a cab with Guru and DJ Ream Supreme to check out "Sunday's Beats for Brunch" at Pianos in the LES of Manhattan. As the crowd enjoyed food and drinks, Laytonic, El Siete, DJ Polarity and The Grand Affair each had an hour to bless the crowd with good music. Enjoy this mini recap of event.
"Sundays Beats for Brunch was once just an idea, but with a little bit of time, networking, and getting to know one another, Laytonic's idea for Sunday's Beats for Brunch came to fruition.
It's always astounding when something imagined or pictured in the mind becomes a reality, but when that reality becomes a successful idea, it just let's you know that you were born to create.
To us, this day was a success not because of the number of people that attended or because of the amount of money made, but for the simple fact that all of our friends that share the same story as creators were here to witness an idea turn into a goal. That goal became Sunday's Beats for Brunch." - IquanW
One Donut 4 Dilla mixed by DJ Laytonic
For those of you who don't know, James Dewitt Yancey aka J Dilla aka Jay Dee was a legendary hip-hop music producer who mastered the art of sampling and helped influence a generation of music lovers and many musicians to come. Artists like Kanye West, Questlove, Pharrell Williams and Madlib wouldn't be the artists we know them as today if it wasn't for J Dilla. He is a producer's producer and has made underground hits for artists like A Tribe Called Quest, Erykah Badu, Common, The Roots, De La Soul, D'Angelo, Tha Pharcyde and many more.
Eight years ago in February 2006, he passed away due to complications of lupus and a rare blood disease that he had been struggling with his entire life. Before his passing he left the world with countless volumes of work, many of us already familiar with and others that have recently been discovered and waiting for future release.
I've been a fan of J Dilla since the early days of 1996 when I first heard De La Soul's "Stakes Is High." There was an energy and vibe behind the music that I couldn't put my finger on. It was full of life and excitement and it motivated me to find more music from this musical genius. What started as a liking became an obsession. I made it my goal to find any and all things Dilla and have helped carry the torch to keep his legacy alive by telling everyone about him and sharing his music.
February is best known as Black History Month, but in the hip-hop community since his passing, this month has also become known as Dilla Month. To help celebrate this man's legacy, I've put together a mix of some of my favorite Dilla beats from my personal collection. Good music. Strictly vinyl. Turn it up ! Enjoy below...
Sunday Beats 4 Brunch
Looking for a chill way to spend your Sunday afternoon? Head on over to Pianos in the L.E.S. this Sunday, February 16th for "Sunday Beats 4 Brunch." We're back with our first event of the New Year led by DJ Laytonic. There will be 3 DJ's spinning classic hip-hop, R&B, soul, rock, latin jazz and fusion. The event starts at 2pm followed by a special performance by Queens natives, The Grand Affair, at 5pm. Artoholik affiliate, El Siete, kicks things off followed by DJ Laytonic and DJ Polarity. For $5, it's a perfect way to wrap up your weekend.
[one_fourth]THE GRAND AFFAIR
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[one_fourth]EL SIETE
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[one_fourth]DJ LAYTONIC
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[one_fourth_last]DJ POLARITY
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[one_half]ABOUT THE VENUE
Featuring the best live music and dance parties in the Lower East Side
Hours: Mon - Sun: 2:00 pm - 4:00 am
Specialties
Dinner, Drinks, Attire, Casual, Services, Walk-Ins Welcome, Good For Groups, Take Out, Waiter Service
Street Parking
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[one_half_last]DIRECTIONS
Public Transit
By Train
F or V to 2nd Ave/Houston St. Exit at Allen St end of the station and walk two blocks east on Houston to Ludlow, then one block south to Stanton.
F or J,M,Z to Delancey/Essex. Exit at Delancey/Essex and walk two blocks north on Essex to Stanton, then one block west to Ludlow.
By Bus
M9 or M15A to Essex/Houston. Exit onto Essex and walk one block south on Essex to Stanton, then one block west to Ludlow.
M15 to Allen/Houston. Exit onto Allen and walk south to Stanton, then east two blocks to Ludlow.
Pay Up
Cash, Visa, American Express, Mastercard and Discover
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In My Shoes ft. Layton Weedeman
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[one_half_last]Lately, I've been more focused on hip-hop than ever before, because it's such a huge part of my musicality and creative output. In just a few months, I taught myself to beat match all of my records and learned how to blend each song into one another, making smooth transitions during my mixes. I booked my first gig at Pianos NYC in the L.E.S. back in February of this year, and needed to make sure my wears were crisp. I bought the Nike Air Trainer 1 sneakers at a shoe store on Broadway after only looking for about a minute, and immediately knew they were the right shoe for me.
Everywhere I went I wore these sneakers. It didn't matter what I was doing or where I was going. These were the only shoes I wanted to wear. Even in wet and cold weather, I wore those sneakers like they were the only pair of shoes I had. I also got a lot of compliments about these sneakers from my peers and people I met.[/one_half_last]
[one_third]About a year and a half ago, in March of 2012, I just returned home to New York from an extensive south-by-south-west (SXSW) tour through the east coast of the United States with my band and music comrades, Courtesy Tier. The minute we got back, we immediately started working on new music.
My band mate and longtime friend had been touring and writing as Dan Abraham for a few years at this point and it inspired me to start seriously exploring my own creativity as an artist. I always admired his voice and songwriting capabilities ever since we met back in 2001. Now hearing him create a sound that was truly his own, experimenting with guitar sounds, creating vocal effects, sampling, using drum machines, ambience, and synthesizers; it all really moved me.
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[one_half_last] I've always been a hip-hop head since I was a kid, back when my older cousin gave me my first cassette tapes of LL Cool J, Run DMC, and The Beastie Boys. When I was eight years old, my Mom let me get double lines buzzed in the side of my head and I would watch MC Hammer on MTV and teach myself how to dance the "The Running Man", which I'd consistently bust out at every wedding and school dance for years to come. And throughout the years, I would constantly be changing my foot attire for different looks and styles, including sneakers and dress shoes depending on my mood or what I was into at the time. I've also had two types of hair cuts throughout my life as well, depending on what type of music I was into, whether it be rock, hip-hop, funk, jazz, R&B, long hair, short hair, beard or clean shaven, I've always lived in the music that captivated me.
It was after returning home from tour and listening to Dan Abraham that I decided to do something I've always wanted to do...DJ. So, I ordered a beginners turntable and mixer from Amazon and started collecting vinyl. My vision as a DJ was to focus on hip-hop production from the 1990's and highlight my favorite joints from my childhood, most particularly the jazzy tones of A Tribe Called Quest, DJ Premier, Pete Rock, J Dilla, and The Roots.[/one_half_last]
Both feet control two metal pedals on a drumset, a kick drum pedal and a hi-hat pedal, and both pedals have a greasy chain attached to them that your shoes will rub against while you play. I play a lot. So much that the front of the sneakers started to get black and greasy. Once I started seeing these dope sneakers get dirty, it made me realize I need to own a second pair! Either way, I didn't care, and just kept wearing them and doing my thing.
[one_half]The night at the Pianos gig, I linked up with Artoholik founder, Iquan Worthington, who had been hanging out at the bar with some friends. After playing about 3 or 4 tracks of stuff he liked, he stopped what he was doing and came up to the DJ booth to talk to me. It was an instant bond based on music and selections.
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From there, Iquan helped design my logo and launch my Laytonic brand, all while wearing the Air Trainer 1's. I booked more events, played more shows, wrote more music, developed my sound as a producer, started a new project called Man Made West, and got recruited to play drums and record with singer/songwriter Jessi Robertson.
[one_half]Fast forward to October 2013 for CMJ Music Marathon in NY, I'm back on stage with Courtesy Tier rocking out and performing in my sneakers, getting even more dirty and grease smudged. But it didn't stop me from doing my thing. Soon after, I traveled to Newark, NJ to Center Stage Cuts on Broad Street to DJ the Artoholiks Munny Social.
It was around this time, when holes started developing in the bottom of the soles and it prevented me from keeping dry socks while walking in rainy days. Now I need a new shoe and I'm contemplating purchasing the same ones or starting 2014 with a fresh look? Until then...[/one_half]
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Recap: Munny Social (August)
On August 25th in Downtown Newark at Elbowroom, 30+ Munny Lovers and Artoholiks met up to create, eat, chill and enjoy a niche event on a summer afternoon. Head Artoholik IquanW created this event to share a passion point that he discovered earlier this spring. Since he received a great response on his collection via the internet, Iquan decided to create an event in which he could physically show off his work, share tips and create a fun event for friends and local artists.
Starting at 1pm, guest arrived prepared with their tools and ideas for their custom Munny experience. Upon arrival, each guest was greeted with a bag that contained their Munny, a black Sharpie, Art is Dope buttons and stickers from Branded Baron. The process was simple... get your bag, name tag, and get stamped! Guests that RSVP'ed via Meetup or Eventbrite were stamped with the RED Artoholik Astroman, certifying them as an Artoholik. Guests who did not RSVP were welcomed and stamped with a BLACK Artoholik Astroman. Once guests received their name tag, they were directed to pass the name tag to the host from Elbow Room. The host then used the tag to complete attendees food order and bring guests their selection. In addition to being used to grab a bite, tags were also used for goodie bag drawings and photos. Goodie bags contained swag from Modern Amusement, Sprayground and Branded Baron.
Throughout the event, Artoholik AleeshaW ran giveaways, entertained guest with jokes and then put all artists on the spot by making them share their inspiration for their custom Munny. "The event turned out better than planed" said IquanW who had only 2 weeks to prep for the event. Between Aleesha and Iquan, they had to sell tickets, brand event, order supplies, connect with sponsors and partners and lastly, gather team. Speaking of event team, Laytonic provided the sounds for the afternoon while Guru documented the entire event via Photo and Video and then a last minute co-host Shirley jumped in to decorate and make every guest welcomed. "This is what the Artoholiks are about!" said AleeshaW.
Guests included local Artists Jerry Gant, Lauren Craig aka (Inafabworld), Forever Audacious, Hycide and Andres Jimenez. Munny Social was also blessed with very talented artists such as Steve Cancel, Joe Baron, Dominiqué la Reine and surprise attendees Steve Janowicz and Randy Smith. While Dominiqué la Reine had the best and most talked about Munny, Iquan's old high school buddy walked away with the best design award. We're working hard to get the 2nd Munny Social together, in the meantime enjoy these beautiful images whipped up by the Artoholiks own IquanW and Guru. Enjoy!
Peep more photos on our flickr or facebook streams.